He Held Me And Kissed Me While I Cried. He Shouldn’t Have. (2016)

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He Held Me And Kissed Me While I Cried. He Shouldn’t Have. (2016), Emma Willis. Ink on paper.

One of a series of confessional drawings, challenging the ideals and conformities that surround women in the Westernised society. Each drawing is extracted from the documentation of a memory and is presented and titled ambiguously, giving the viewer free reign to speculate on the purpose of the images.

I Think I Finally Understand What The Words Mean (2016)

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I Think I Finally Understand What The Words Mean (2016), Emma Willis. Ink on paper.

One of a series of confessional drawings, challenging the ideals and conformities that surround women in the Westernised society. Each drawing is extracted from the documentation of a memory and is presented and titled ambiguously, giving the viewer free reign to speculate on the purpose of the images.

Touch For Attention (2016)

Touch For Attention

Touch For Attention (2016), Emma Willis. Ink on paper.

One of a series of confessional drawings, challenging the ideals and conformities that surround women in the Westernised society. Each drawing is extracted from the documentation of a memory and is presented and titled ambiguously, giving the viewer free reign to speculate on the purpose of the images.

 

Jugs, (2016)

this one

Jugs, (2016) Emma Willis. Print on Paper

One of a series of prints, exploring the female form. These prints are a bold response to the way that people refer to, and over-sexualise the female sexual organs. The text is simple and stripped from all forms of context, leaving behind an air of ambiguity to be played with by the viewer.

Pussy, (2016)

this one too

Pussy, (2016) Emma Willis. Print on Paper.

One of a series of prints, exploring the female form. These prints are a bold response to the way that people refer to, and over-sexualise the female sexual organs. The text is simple and stripped from all forms of context, leaving behind an air of ambiguity to be played with by the viewer.

Fanny, (2016)

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Fanny, (2016) Emma Willis. Print on Paper.

One of a series of prints, exploring the female form. These prints are a bold response to the way that people refer to, and over-sexualise the female sexual organs. The text is simple and stripped from all forms of context, leaving behind an air of ambiguity to be played with by the viewer.

Breast, (2016)

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Breast, (2016) Emma Willis. Print on paper.

One of a series of prints, exploring the female form. These prints are a bold response to the way that people refer to, and over-sexualise the female sexual organs. The text is simple and stripped from all forms of context, leaving behind an air of ambiguity to be played with by the viewer.